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See our Buyer’s guide to vintage Fender amps for a guide and picture gallery of the known original speakers in the blackface and silverface amps. You may compare these with your own speakers to determine what you have. Speakers are like ice cream; we all have our favorite taste. Some like strawberry while others like chocolate.
Could you please tell us a bit about how you got into playing music? Do you remember any specific moments that sparked your interest in music and playing guitar? I started playing electric guitar at the age of The original spark has been Angus Young… When I first saw that guy rolling on the floor while playing killer solos, I said to myself: So I started learning on my own, listening to CDs, watching videos, buying songbooks. Then, the usual story: Which musicians or bands have been the greatest inspiration and have had the greatest influence on your understanding of music and your playing?
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You may compare these with your own speakers to determine what you have. Speakers are like ice cream; we all have our favorite taste. Some like strawberry while others like chocolate.
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Per manufacturing regulations, the makers of electronics must include a minimum amount of production date information on their products. Depending on when the speakers were made this information may simply include a year and week or may be more specific, down to the day or hour. Disconnect the speakers from the power supply and connections before proceeding. If the speakers are in a vehicle, disconnect the negative terminal of the car battery before removing any speakers.
Carefully turn the speakers around so that the back of the speaker is facing you. Inspect the back of the speaker for a sticker that has digits or letters on it. If you do not see a sticker look for engraved numbers on the back surface of the speaker or turn the speaker over and inspect for numbers. Find the manufacturer date code. The first three digits indicate the maker of the speakers. The number indicates Altec Lansing and represents Harman Kardon.
Look at the remaining digits. The first two digits after the manufacturer three digit code indicate the year. Speakers made before the s only have one digit representing the year which is misleading. The remaining digits indicate the week of that year.
JBL began with the D and the D 12″ and 15″ speakers. These were more specifically all-purpose speakers, so Harvey got them to let him redesign them with the wider voice coil gap for Fender, and that’s when the F was introduced. That and if I recall correctly a little extra power handling since Dick Dale wanted his Dual Showman to be the loudest amp on earth apparently.
I took it to a gig, and remember being mightily impressed by the way this little not to mention lightweight! I played the whole gig with just the amp and its footswitch for channel and boost switching. I might have had a tube screamer in there as well, just to kick the dirt up a notch, but that was it. There were just so many different sounds you could get from that little amp, that it completely blew me away. If all else fails, you could easily get through just about any gig with just the amp, its footswitch and some knob tweaking.
I took it home, and once again it blew my mind. It could also use some new tolex for the bottom section, which is missing completely. It only has one switch for the tremolo as I never turn the reverb off anyway. The first thing I did was to add four good-sized rubber feet as the old ones were long gone. Later, I got a flightcase for this amp, which has made transporting it far easier.
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That amp worked pretty well with my Rick string. That amp turned out to be an early-production Pro-Amp. I started to investigate the world of pre-CBS Fender amplifiers. During that era Fender blackface amps, covered in black tolex with silver grilles, were everywhere. I combed through vintage dealer ads and began to pick up Fender amps in tweed, white, brown and blackface versions, trying to stick to or before. Some of the amps in my collection have their original tubes, capacitors and speakers; on some they have been replaced.
Point-to-point, handwired, using premium components and meticulous lead dress and solder work. Amp is whisper quiet at idle, works and sounds great and has zero issues. Please note, this is NOT a Fender amp but a high quality reproduction of the classic AB circuit, regarded by many as one of the best amp designs of all time.
I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department.
Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built. For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates. The boss came around and said what we’d be building. The chassis weren’t used chronologically. Probably the same as the pots and transformers that we just dug out of the boxes.
I think in the corners of the boxes were older pots remaining from earlier dates
Pair of Vintage JBL N180 Crossovers Speaker Dividing Network Units – Los Angeles
All of out items have a 14 day return policy. If after 14 days you are notcompletelysatisfiedwith yourpurchase, please return it for a full refund Peace be with you All original packing must be included. This is really cool. One of the most Iconic Fender Amps ever built. This is what the “Classic Fender Sound” is all about. The “Clean” Tone is off the chart. The Twin Reverb is a very versatile amp. This is one of those amps that if you are a gigging musician will always get the job done.
Built like a tank, it is very reliable. Designed specifically for Fender amps by JBL, the D F is considered to be one of the best guitar speakers ever produced. Our Amp Tech Serviced this Amp.
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Posted 20 Jul NON-master volume my take, bear with me please Fender amps tend to have a tonal personality, so to speak, for reasons like Jack Stoner has mentioned earlier–acceptable tolerances within the electronic componants. So you will hear amps that sound better than others, etc, to your ear and application one amp may sound “lacking” for 6 string guitar, yet sound great for steel guitar.
Or one twin sounds great with an Emmons guitar, but super with a Shobud. Thus the fun of tube amps and guitars, for us tone junkies. All I know is it’s an acceptable function in my Vibrosonic for some unknown reason.
It’s all there, but needs work. Here’s what we know. When we first powered the unit up slowly on our Vari-Ac, it started climbing in current to almost 3 amps by the time we approached 60 volts. The motor would not turn at almost 60 volts. I disconnected the motor and brought it up on the Vari-AC by itself with similar results. I tried to spin the motor with my fingers, and it started turning, but had a lot of “un-lubricated” bearing noise.
I then lightly and superficially, lubed the motor and at 60 volts it ran pretty well, but still had a lot of current draw, almost 3 amps. The motor windings, while they don’t smell bad, are very dark so I’m guessing the motor needs to be re-wound, repaired or replaced. Other than the shape of the axel it’s a standard AC motor that’s used in most motor driven devices. Should be able to interchange the armature with another motor.